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Full cations follow below
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A. Wheatstone stereoscope in use as a telestereoscope
B. Promotional postcard for the Keystone View Company, USA, 1915-21
C. women using Brewster lenticular stereoscopic viewers, 1850s-60s
D. Late 18th century portable camera obscura designed for a single viewer (left) Diagram of Edison’s Kinetoscope, 1893 (right)
E. Ronit Toder (née Rene Bitton), circa. 1948, Marrakech, Morocco
F. Ronit Toder and Moshe Toder, France, Austria or Romania, likely summer 1977
G. Examples of a stereoscopic images with partial non-correspondence between left and right images resulting in perceptual rivalry when viewed stereoscopically
A.
Clark University, Wheatstone stereoscope in use as a telestereoscope
B.
“She Sees Her Son in France.” Postcard, Keystone View Company, USA, 1915-21. Erkki Huhtamo Collection, Los Angeles, reproduced in Huhtamo, Erkki. Elements of Screenology: Toward an Archaeology of the Screen. Japan: Japan Society of Image Arts and Sciences, 2004
C.
Photographer unknown, women using Brewster lenticular stereoscopic viewers, 1850s-60s
D.
Late 18th century portable camera obscura designed for a single viewer (left) Diagram of Edison’s Kinetoscope, 1893 (right)
E.
Photographer unknown, Ronit Toder (née Rene Bitton), circa. 1948, Marrakech, Morocco
Clark University, Wheatstone stereoscope in use as a telestereoscope
B.
“She Sees Her Son in France.” Postcard, Keystone View Company, USA, 1915-21. Erkki Huhtamo Collection, Los Angeles, reproduced in Huhtamo, Erkki. Elements of Screenology: Toward an Archaeology of the Screen. Japan: Japan Society of Image Arts and Sciences, 2004
C.
Photographer unknown, women using Brewster lenticular stereoscopic viewers, 1850s-60s
D.
Late 18th century portable camera obscura designed for a single viewer (left) Diagram of Edison’s Kinetoscope, 1893 (right)
E.
Photographer unknown, Ronit Toder (née Rene Bitton), circa. 1948, Marrakech, Morocco
F.
Photographer unknown, Ronit Toder and Moshe Toder, France, Austria or Romania, likely summer 1977
G.
Examples of a stereoscopic images with partial non-correspondence between left and right images resulting in perceptual rivalry when viewed stereoscopically.